Education:
Indiana University, Bloomington, Indiana.
Works published by Lauren
Keiser
Music Publishing.
Fire and Ice for string chamber
orchestra
Birds of a Feather for two flutes and
piano
One of a Kind for unaccompanied clarinet
Shadow Dancing for chamber orchestra or
large chamber ensemble
Three of a Kind , a trio concerto for
clarinet, piano, and percussion soloists
(both orchestra &
wind symphony versions are available)
Rain Dance for flute and tape
Shadow Play for flute, oboe and bassoon
Time Traveler for cello, piano,
percussion, & electronic music
Sonic Landscapes for soprano saxophone
and tape
Sonic Landscapes for oboe and tape
Blue 2 for flute, clarinet, violin,
cello, and piano
Summer-soft for chamber orchestra
Intrusus for orchestra
Turning for orchestra
Works published by Dorn
Publications, Inc., Medfield, Massachusetts
Night Vision for saxophone and piano
CD Recordings: (including forthcoming CD recordings)
Violin Power, voted
onto SEAMUS 2015 Conference CD; contract signed, master recording
delivered (2015).
Rappin' with Diz and Bird, (from Sonic Landscapes),
recorded by Nicolas Prost on Klassik & Blue, 2009
One of a Kind (title
track) on CD recorded by Rebecca Rischin, clarinet, Centaur
Records (CRC 2981).
Sez Who? by Gerard
Billaudot Editeur in a collection entitled Saxiana,
sheet music plus CD (Nicolas Prost,
saxophonist); ISMN code 979-0-043-08697-0
T. Rex recorded by trombonist Carlos Gil Ferrer, Ars
Harmonica, 2008.
Porch Music, by Marjorie Bagley, Roger Braun, Michael Carrera,
on Sicks & Stones,
Equilibrium, 2008.
Follow Your Music, Music from SEAMUS: The SEAMUS 20th
Anniversary Electroclips Contest, 2006.
Turning Two Hundred, DVD of Ohio University premiere, 2004.
T. Rex recorded by trombonist John Marcellus for Albany
Records, 2003.
Fire and Ice, Intrusus, summer-soft, and T. Rex by
Skifan Records in Iceland.
(recording/mastering completed with limited
release; wide release currently in limbo).
String Quartet N° 2: Another Lark Quartet, Society of Composers,
Inc. (SCI), CD #13:
Connections, 1999.
Rain Dance recorded by flutist Jill Felber, released
January 1997 on Neuma Records.
Three of a Kind recorded by clarinetist Richard Stoltzman
and the Warsaw Philharmonic Orchestra:
recording took place June 21, 1994; released
October 2000 on MMC label.
Sonic Landscapes recorded by oboist Stephen Caplan for Musician's
Showcase
(MS1014), 1999.
T. Rex recorded by trombonist Andrew Glendening, released
February 1998 on Mark Records.
International Performances :
Festival Internacional de Música de Bogotá — visiting artist
performance of String Quartet No. 2 by the
Manolov String Quartet,
Bogotá, Colombia, March 29 & 30, 2013;
composition master class (March 28, 2013).
Trio Saxiana: Angers, France, 2007;Paris & Le Chesnay, France,
2008
ménage à
trois for alto saxophone, tenor saxophone, and piano.
É u C u E Series X X V, Concordia University, Montreal, Canada,
2006.
Follow Your
Muse for electro-acoustic music.
Rene Wiik, Bergen Grieg Academy, Norway, 2006.
Sonic Landscapes for soprano saxophone
and tape.
Concert tour of Argentina by Matt James & Alejandro Cremaschi,
2003.
Night Vision
for alto saxophone and piano.
ClarinetFest 2002 (International Clarinet Association), by Rebecca
Reschin, Stockholm, Sweden, 2002.
One of
a Kind for unaccompanied clarinet.
Grindavík Music Festival, Grindavík, Iceland, by Tony Baker, 2000.
T. Rex for trombone and tape.
Visiting Artist Recital, Ingesund University College of Music,
Aruika, Sweden, by John Marcellus, 1998.
T. Rex for trombone and tape.
International Clarinet Festival, by Rebecca Rischin, Krakow,
Poland, 1997.
One of a Kind for unaccompanied
clarinet.
Jill Felber and Claudia Anderson, Wigmore Hall, London, 1997.
Birds of a Feather for two
flutes and piano.
John Marcellus, Graz, Austria; Roosendaal, Holland; Warsaw,
Poland; Athens, Greece, 1997.
T.Rex for trombone and tape.
Ensemble Eclipse, Zhang Yi, conductor, Beijing Concert Hall, 1996.
Shadow Dancing for large chamber
ensemble.
International Double Reed Conference, by Eric Ohlsson, Rotterdam,
Netherlands, 1995.
Sonic Landscapes for oboe and
tape.
NHK Symphony Orchestra, Leonard Slatkin conducting, Tokyo, Japan,
1993.
Turning for large orchestra.
AUT-Koncert series, Arhus, Denmark, by Jorgen Bove, 1992.
Sonic Landscapes for soprano
saxophone and tape.
Concert of Contemporary American Music, by M. Chaikovskaia, Glinka
Museum, Moscow, 1991.
Suite for unaccompanied cello.
9th World Saxophone Congress in Japan, 1988.
Night Vision for alto saxophone
and piano.
Orquesta Sinfonica de Bahia Blanca, Robert Newell conducting,
Buenos Aires, Argentina, 1986.
Summer-soft for chamber
orchestra.
Icelandic Orchestra, Gudmundur Emilsson conducting, Reykjavik,
Iceland, 1983.
Summer-soft for chamber
orchestra.
Selected Festival, Conference, & Sponsored Performances: (see
also list of works and performances)
Society of Composers Region III Conference, Marshall University,
February 2016.
Waiting for Lucille for alto saxophone
and computer
Society of Electro-Acoustic Musicians in the United States
(SEAMUS); Georgia Southern, February 2016.
Waiting for Lucille for alto saxophone
and computer
Electro-Acoustic Barn Dance, Mary Washington University,
Fredericksburg, VA, October 2016.
Waiting for Lucille for alto saxophone
and computer
Kyma International Sound Symposium (KISS 2015). Montana State
University, Bozeman, August 2015.
Slow Glass Rush, for trumpet/flugel
horn, violin, viola and Kyma (premiere)
World Saxophone Congress, Strasbourg, France (two premieres) 2015.
What If for 101 saxophones; Waiting for
Lucille for alto saxophone and computer
New York City Electronic Music Festival (NYCEMF), New York City,
2015.
Deep Blue for baritone saxophone and
live computer processing
Society of Electro-Acoustic Musicians in the United States
(SEAMUS); Virginia Tech, 2015.
Violin Power for violin and live
computer processing
Society of Composers Region VI Conference, Henderson State
University, Arkadelphia, AK, March 6-8, 2015.
2002: at summer’s end for brass
quintet; T. Rex for trombone and fixed media
South Shore Opera of Chicago, Leslie Dunner conducting, Chicago,
IL, February 22, 2015.
Dreams Interrupted for chamber
orchestra
Electro-Acoustic Barn Dance, Mary Washington University,
Fredericksburg, VA, November 2014.
Rain Dance for flute and fixed media
Electronic Music Midwest, Lewis University, Romeoville, IL, 2014.
Violin Power for violin and live
computer processing
West Fork New Music Festival, Fairmont University, Fairmont, WV,
2014.
Rain Dance for flute and fixed media,
Action/Reaction for percussion
Walla Walla Chamber Music Festival, Walla Walla, Washington, 2014.
Violin Power for violin and live
computer processing
New York City Electronic Music Festival (NYCEMF), New York City,
2014.
Viola Power for viola and live computer
processing electronics
Humor in Music Festival, Otterbein University, Westerville,
OH, March 30 - April 2, 2014.
My Aunt Gives Me a Clarinet Lesson, for
clarinet, narrator/dancer and percussion
Society of Composers Region V Conference, Western Michigan
University, Kalamazoo, MI, 2014.
Violin Power for violin and live
computer processing
Society of Composers National Conference, Ball State University,
Muncie, IN, March 20-22, 2014.
Deep Blue for baritone saxophone and
live computer processing
Society of Composers Region VIII Conference, Puget Sound
University, Tacoma, WA, 2014.
Violin Power for violin and live
computer processing
University of South Florida 2014 New Music Festival, Tampa
Florida, 2014.
Legacy: In Memoriam Reginald Fink
Society of Composers, Inc. (SCI) National Conference, 2013.
Appalasia for Erhu and Kyma
South Bend Symphony Orchestra, 2011.
Dreams Interrupted for chamber
orchestra.
Society of Composers, Inc. (SCI) National Conference, 2010.
ménage à trois for alto saxophone,
tenor saxophone, and piano.
Society of Composers, Inc. (SCI) Region V Conference, Augustana
University, Rock Island, IL, 2010.
Elegy and Honk for English horn and
electro-acoustic music..
Color-Code This! for wind symphony.
Society of Composers, Inc. (SCI) National Conference, Santa Fe,
NM, 2009.
Elegy and Honk for English horn and
electro-acoustic music..
Louisville Symphony Orchestra, Louisville, KY, 2009.
Dreams Interrupted for chamber
orchestra.
Alabama Symphony Orchestra, Leslie Dunner conductor, Birmingham,
AL, 2008.
Dreams Interrupted for chamber
orchestra.
Baltimore Chamber Orchestra, Markand Thakar, conductor, Baltimore,
MD, 2007.
Dreams Interrupted for chamber
orchestra.
Society of Composers, Inc. (SCI) Region V Conference, Clarke
College, Dubuque, IA, 2007.
Rev It Up for trumpet ensemble.
Duluth-Superior Symphony Orchestra, Markand Thakar conductor,
Duluth, MN, 2006
Dreams Interrupted for chamber
orchestra.
É u C u E Series X X V, Concordia University, Montreal, Canada,
2006.
Follow Your Muse for
electro-acoustic music.
Pi Kappa Lambda (PKL) and Society of Composers (SCI) — featured
composer, San Antonio, TX, 2006.
**world premiere performance** Bushwhacked!
for mixed nonet, Ohio Univ. Faculty Chamber Players.
Imagine Festival — featured composer, University of Memphis,
Memphis, TN, 2005.
**world premiere performance** Dreams
Interrupted for large chamber ensemble.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS). Ball State University, 2005.
After the Flood for clarinet and tuba,
with electro-acoustic music.
Imagine II Festival — featured composer, University of Memphis,
Memphis, TN, 2004.
four music/video excerpts from Turning Two
Hundred, plus Rain Dance and Elegy and Honk.
Lancaster Festival, Lancaster, OH, 2004.
Stand Up and Swing (from Turning
Two Hundred) and My Aunt Gives Me a Clarinet Lesson.
International Clarinet Festival, Washington, DC, 2004.
My Aunt Gives Me A Clarinet Lesson for
clarinet, percussion, and narrator/dancer.
National Association of Schools of Music (NASM) regional
conference, University of Michigan, 2004.
Night Vision for alto saxophone and
piano.
North American Saxophone Alliance (NASA) Region V Conference,
2003.
Sonic Landscapes for soprano saxophone
and electro-acoustic music.
San Antonio Festival of New Music,University of Texas at San
Antonio, 2003.
Rain Dance for flute and and
electro-acoustic music.
Society of Composers, Inc. (SCI) Region V Conference, Macalester
College, St. Paul, MN, 2003.
**world premiere performance** of 2002: at
summer’s end for brass quintet.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS). Arizona State University, 2003.
T. Rex for trombone and
electro-acoustic music.
Society of Composers, Inc. (SCI) Region VIII Conference, Central
Washington Univ., Ellensburg, WA, 2003.
Legacy for trombone soloist and
trombone choir.
National Conference of the Society of Composers, Inc. (SCI),
Akron, OH, 2002.
My Aunt Gives Me A Clarinet Lesson
for clarinet, percussion, and narrator/dancer.
Heidelberg New Music Festival, by Suzanne Thierry, Heidelberg
College, Tiffin, OH, 2002.
Rain Dance for flute and and
electro-acoustic music.
Society of Composers (SCI) Region VII Conference, Flagstaff, AZ,
2002.
Elegy and Honk for English Horn and
electro-acoustic music.
23rd Annual New Music and Art Festival, Bowling Green State
University, 2002.
Elegy and Honk for English Horn and
electro-acoustic music.
OCEAn Festival, Oberlin Conservatory of Music, 2002.
Elegy and Honk for English Horn and
electro-acoustic music.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS), Iowa City, 2002
Elegy and Honk for English horn and
electro-acoustic music.
International Double Reed Society Festival, by Donna Conaty,
Morgantown, WV, 2001.
Elegy and Honk for English horn and
electro-acoustic music.
Society of Composers (SCI) Region VII Conference, Arizona State
Univ. Chamber Orch., Tempe, AZ, 2001.
Fire and Ice for string orchestra.
National Conference of the Society of Composers, Inc. (SCI),
Syracuse, NY, 2001.
My Aunt Gives Me a Clarinet Lesson for
clarinet, percussion, and dancer/narrator.
International Trumpet Guild Convention, by the Ohio University
Trumpet Ensemble, Evansville, IN, 2001.
Rev It Up for trumpet ensemble.
OCEAn Festival, by James DeSano, Oberlin College Conservatory of
Music, Oberlin, OH, 2000.
T. Rex for trombone and
electro-acoustic music.
Voyages: A Celebration of the 1000th Anniversary of the Viking
Landing in America, Brown Univ., 1999.
Fire and Ice for string orchestra.
Society of Composers, Inc. (SCI) Region V Conference, by Andrea
Gullickson, Grinnell, Iowa, 1999.
Sonic Landscapes for soprano saxophone
and electro-acoustic music.
11th Annual New Music Festival at Heidelberg College, by Joel
Pugh, Tiffin, OH, 1999.
T. Rex for trombone and
electro-acoustic music.
Ensemble X concert series, Cornell University, Ithaca, NY, 1999.
Rain Dance for flute and
electro-acoustic music.
International Double Reed Society Festival, by Mariah Wind
Ensemble, Tempe, AZ, 1998.
Shadow Play for flute, oboe and
bassoon.
Conference of the International Trombone Association, Boulder,
Colorado, by Nathaniel Brickens, 1998.
T. Rex for trombone and
electro-acoustic music.
Society of Composers, Inc. (SCI) National Conference, by Andrew
Glendening, Bloomington, IN, 1998.
T. Rex for trombone and
electro-acoustic music.
Seventh Annual Florida Electro-Acoustic Music Festival, by Arthur
Jennings, Gainesville, FL, 1998.
T. Rex for trombone and
electro-acoustic music.
An American Musicale presented by Sigma Alpha Iota, by Velvet
Benzamin, Arlington, TX, 1998.
Rain Dance for flute and
electro-acoustic music.
Society of Composers, Inc. (SCI) Region I Conference, by Tom
Plsek, M.I.T. Cambridge, MA, 1997.
T. Rex for trombone and
electro-acoustic music.
Contemporary Music Festival, by Randy Mitchell, Terre Haute, IN,
1997.
T. Rex for trombone and
electro-acoustic music.
National Flute Association National Conference, by Jill Felber and
Claudia Anderson, Chicago, IL, 1997.
Birds of a Feather for two flutes and
piano.
American Composers Day Festival, Kansas City Symphony, Kansas
City, MO,1997.
Shadow Dancing for chamber orchestra.
International Society for Contemporary Music (ISCM), by Patricia
Spencer, Merkin Hall, NYC, 1997.
Rain Dance for flute and
electro-acoustic music.
Society of Composers (SCI) Region VII Conference, by Trygve
Peterson, Tempe, AZ, 1996.
Rain Dance for flute and
electro-acoustic music.
Salt Lake City Arts Festival, by Stephen Caplan (June 23, 1996).
Sonic Landscapes for oboe and
electro-acoustic music.
Florida State University’s Festival of New Music, by Karen Haid,
Tallahassee, FL, 1996.
Rain Dance for flute and
electro-acoustic music.
North American Saxophone Alliance National Conference, by Allyn
Reilly, Gainesville, FL, 1996.
Sonic Landscapes for soprano saxophone
and electro-acoustic music.
Society of Composers (SCI) Region V Conference, by David Lewis,
Athens, OH, 1995.
One of a Kind for unaccompanied
clarinet.
Lancaster Festival, by Margaret Swinchowski, Lancaster, OH, 1995.
Rain Dance for flute and
electro-acoustic music.
International Clarinet Festival, by David Lewis, Arizona State
University, Tempe, AZ, 1995.
One of a Kind for unaccompanied
clarinet.
National Conference of the Society of Composers, Inc. (SCI),
University of Iowa, Iowa City, Iowa, 1995.
Shadow Dancing for large chamber
ensemble.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS), Ithaca College, Ithaca, NY, 1995.
Rain Dance for flute and
electro-acoustic music.
National Flute Association Conference, by Jill Felber, Kansas
City, MO, 1994.
Rain Dance for flute and
electro-acoustic music.
Chautauqua Summer Music Festival, Chautauqua Symphony
Orchestra, Uriel Sigal conducting, 1994.
Turning for large orchestra.
Central California Flute Festival, by Jill Felber, CA, 1994.
Rain Dance for flute and
electro-acoustic music.
Texas Flute Society Conference, by Jill Felber, University of
North Texas, Denton, Texas, 1993.
Rain Dance for flute and
electro-acoustic music (premiere).
Florida State University’s biennial Festival of New Music,
Tallahassee, Florida,1993.
Shadow Play for flute, oboe and
bassoon.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS), University of Texas, Austin, 1993.
Time Traveler for cello, piano,
synthesizer, & percussion.
Society of Composers, Inc., Region V Conference, University of
Wisconsin at Oshkosh, 1993.
Shadow Play for flute, oboe and
bassoon.
Ohio Music Educators Association Convention, Cincinnati, OH, 1993.
Shadow Play for flute, oboe and
bassoon.
Society of Composers, Inc., Region III Conference, Washington and
Lee University, 1992.
Night Vision for alto saxophone and
piano.
Blossom Summer Music Festival, Cleveland Orchestra with Leonard
Slatkin conducting, 1991.
Turning for large orchestra.
Florida State University New Music Festival, Tallahassee, Florida,
1991.
Sonic Landscapes for oboe and
electro-acoustic music.
Western Illinois New Music ’91 Festival, Macomb, Illinois, 1991.
Sonic Landscapes for soprano saxophone
and electro-acoustic music.
Society of Electro-Acoustic Musicians in the United States
(SEAMUS), Baton Rouge, LA, 1990.
Sonic Landscapes for oboe and
electro-acoustic music.
11th Annual New Music & Art Festival, Bowling Green State
University, Bowling Green, OH, 1990.
Sonic Landscapes for oboe and
electro-acoustic music.
Charles Ives Center Festival, New Milford, CT, 1990.
Suite for unaccompanied cello.
National Conference of the Double Reed Society, Baton Rouge, LA,
1990.
Sonic Landscapes for oboe and
electro-acoustic music.
Contemporary Composers & Critics Forum, Chautauqua
Institution, Chautauqua, NY, 1990.
Blue 2 for flute, clarinet, violin,
cello, and piano. Sonic Landscapes for oboe and
electro-acoustic music.
Three Rivers Arts Festival, Pittsburgh, PA, 1990.
Blue 2 for flute, clarinet, violin,
cello, and piano. The Pittsburgh New Music Ensemble.
National Conference of the Society of Composers, Inc., Las Vegas,
NV, 1990.
Sonic Landscapes for oboe and
electro-acoustic music.
North American Saxophone Alliance Region V Conference, Central
Michigan State, 1990.
Sonic Landscapes for soprano saxophone
and electro-acoustic music.
Delius Festival, Jacksonville University, Jacksonville, FL, 1990.
Blue 2 for flute, clarinet, violin,
cello, and piano.
Memphis State University New Music Festival XVII, Memphis, TN,
1989.
Blue 2 for flute, clarinet, violin,
cello, and piano.
North American Saxophone Alliance, Region V Conference,
Youngstown, OH, 1988.
Night Vision for alto saxophone and
piano.
National Conference of the Society of Composers, Inc., Lawrence,
KS, 1988.
Synchro-Syzygy for viola and
percussion.
National Conference of the American Society of University
Composers, Columbus, OH, 1984.
Intrusus for orchestra. Columbus
Symphony Orchestra, Christian Badea conducting.